Jean-Ralphio encourages Tom to come work with him at the company, but Tom isn’t sure if he wants to leave his city hall job. Tom suggests they hire Entertainment 720 for the event, a production company recently started by his friend Jean-Ralphio. Leslie announces Li'l Sebastian, Pawnee's beloved celebrity mini-horse, has died and the parks department will hold a memorial service for him. In this episode you'll find out how an awkward encounter in the writer's room caused one of the funniest jokes on the show, which character is like Colossus from The X-Men, why changing Tom's career trajectory was important, an update on Biff Yeager, and a huge bombshell is revealed by producer Greg! Come for the Parks and Rec trivia, stay for the AC/DC trivia! Got a question for the Pawnee Town Hall? Send us an email: Or leave a 30-Second voicemail at: (310) 893-6992 In "Li'l Sebastian" Leslie and the Parks Department organize a memorial for a departed friend. Today Rob Lowe and Alan Yang have a huge show for a small horse when recapping the season three finale of Parks and Recreation. Ron gives her an approving smile and nod while watching from his office. On her first day back, April successfully scares off a citizen wanting to meet with Ron by scheduling truly absurd meeting dates and times such as June 50th, the "one-teenth" of "march-tember" and 2:65 PM. The two exchange a look and it’s clear they agree to keep each other’s secrets. When Andy learns this, he convinces Ron that April is a great assistant and Ron heads to April’s house to change her mind and discovers her incredibly welcoming and nice parents.ĭespite April’s embarrassment over her normal family, Ron convinces April to stay and April reveals that she knows Ron is Duke Silver. trudge on with the meetings: April acts as uninterested as possible, Andy makes promises to people against Ron's wishes, and Ann provides several medical consults.Īfter all the meetings have concluded and a stern berating for causing the mess in the first place, April arranges her own meeting with Ron where she announces she is quitting. Meanwhile, Ron and the rest of the Parks Dept. In response, Tom assures her not to worry, thus empowering Leslie to crash and ruin Jessica's party. On the other hand, she used to have romantic feelings for Mark, she feels insecure about being single, and she worries about losing her two friends. On the one hand, she wants her friends to be happy. In efforts to thwart the demolition Leslie has Tom chain her to the front gate to prevent construction crews from entering however, she mistakenly assumes the gate opens from the middle when it actually opens from the side, enabling the crews to enter right past Leslie and demolish the gazebo.Īt the end of the day, Ann and Mark arrive to free her, and Leslie finally reveals to Tom the true source of her anxiety-Mark's intentions to marry Ann. The gazebo is the site of a historic wedding between a Pawnee Native American and white woman, which became a "bloodbath" when knowledge of the wedding became public. Leslie is shocked to find that Jessica has already made alterations, such as hanging up nude portraits of herself and her husband and painting the original hardwood floors black, but completely outraged when Jessica reveals her plans to demolish an old gazebo in the backyard of Turnbill Mansion. (Christopher Murray), founder of the Sweetums candy company. Leslie and Tom leave to meet with her at the mansion, where Jessica is planning a birthday party for her extremely old husband, the wealthy Nick Newport Sr. He enlists the aid of April, Andy, Leslie and Ann to help handle them, while telling Jerry that he is free to go home early for the day.ĭuring her first meeting, Leslie learns a historic town monument, the Turnbill mansion, is soon to be altered by its new renter, the former Miss Pawnee beauty pageant winner Jessica Wicks (Susan Yeagley). Realizing the date does in fact exist, it turns out Ron is now faced with 93 meetings in a single day. In an effort to keep citizens from meeting with Ron, April has scheduled all meetings for a date she thought didn’t exist. On today's show you'll hear how Susan made her character more nuanced the second time around, how working with Amy was like working with a Jedi, and the secret origin of April's nickname! Got a question for the Pawnee Town Hall? Send us an email: Or leave a 30-Second voicemail at: (310) 893-6992 Our friend Susan Yeagley AKA Jessica Wicks joins us in Pawnee today-to speak with Alan and Rob about the 21st episode of season 2! In "94 Meetings" Leslie goes all out to save a gazebo on the historical register from being destroyed.
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Product description: FeaturesAccessories Included: HDMI Cable:30CM (One end with 90 degree and other end 180 degree) 12V 1.5A wall mount adapter, external accessory bag for storing controllers, power supplies, and cables.Screen Finish:Anti-glare Resolution: 1920 x 1080 Panel T. I’ll do my best to keep it up-to-date, but if I’m missing your favorite player let me know and I’ll add their settings to the list.Ĭontroller Sensitivity(Acceleration / Horizontal / Vertical) Deadzones (Center / Threshold / Axial) I figured some of you are looking for this information as well, so here it is in one place. I’ve been looking around Reddit/Twitch over the past few days for some of the top ranked Halo Infinite players and their controller settings. Additionally, a further upgrade will cause the flamethrower's napalm to stick to enemies and continue to deal damage for a while after the Hellbringer has stopped firing, and the final upgrade will increase the weapon's damage to enemy units across the board.UPDATE 12/23/21 Added deadzone settings for several players, added Flamesword, Updated Luciid and KingJay. This will stun the enemy unit for a short period, allowing the Hellbringers to deal damage to them with little resistance. This equips the M6634 flamethrower with a grenade launcher attachment, which the Hellbringers can use to fire a flashbang grenade at enemy units. The Hellbringer unit can be upgraded to gain a flashbang ability. However, it is essentially useless against enemy vehicle and air units, and it has a very short range. It excels in an anti-infantry role, able to kill enemy units with relative ease, and is also useful for destroying enemy buildings. In Halo Wars, the M6634 flamethrower is the primary weapon of the Hellbringer unit. Flamecharm overwhelms the level of damage other attunements and does well in utility and survivability. This new model of NA4 was noted as being a significant improvement over "the old NA4 models", likely in reference to the M6634 which had been used by the Spirit of Fire's Hellbringer complement previously. Flamecharm grants the user the ability to conjure fire using ether, giving them access to abilities which focus on burning (Explosions with the talent Lava Serpent), damage per second and AoE effects. " I tell ya, these things sure beat the old NA4 models." - Unnamed Hellbringer ĭuring the Second Ark Conflict in 2559, a number of Hellbringers on the Spirit of Fire used the more portable M7057 model. Older models of NA4 such as the M6634 would see further use towards the end of the war, alongside the newer and more portable M7057 model, when UNSC forces once again encountered the Flood. The weapon would also see its first use against the Flood in this month, when the Spirit of Fire pursued a Covenant vessel deep into uncharted space and encountered the parasite on the artificial shield world known as Trove. In February of that year, these soldiers would be deployed against the Covenant on the surface of Harvest and later Arcadia. īy 2531, the Hellbringer complement of the UNSC Spirit of Fire had been outfitted with these weapons. The M6634 had entered service by 2531 at the latest. Hellbringers often do so before rushing enemy positions. The M6634 is compatible with the M301 Grenade Launcher attachment which can be used to launch flashbang grenades. As such, M6634 users have a high attrition rate, despite the devastating damage they can inflict, due to the exposed fuel tanks which pose a critical vulnerability. The M6634's primary function is to rout entrenched enemies. In addition, the weapon can use a variety of flammable defoliants to compensate for the range of atmospheric and gravitational conditions it can be used in, including highly adherent napalm and oxide-mixed fuel. It is large and bulky rather than being attached to the frame of the projector, the fuel tank is carried on the user's back, allowing greater fuel capacity. The M6634/DP is one of at least two variants of the NA4/DP flamethrower in service with the UNSC. " Does anyone realize how heavy these things really are?" - Unnamed Hellbringer serviceman Mappings This package comes with 2 templates. If you like your decks in order of A, B, C, D then choose the A, B, C, D option. Open Ableton, go to preferences and in the MIDI sync tab select 'KontrolF1' in the control surface dropdown and select the MIDI in & out ports. If you’re using an all in one controller (such as the Traktor Kontrol S4 or Traktor Kontrol S8) with Decks A & B in the Middle and C & D on the outside, we would recommend the C, A, B, D mapping. This refers to the order of the decks on the DJ mixer. We offer this mapping in both “A,B,C,D” layout and “C,A,B,D” layout. The F1 is Native Instruments dedicated hardware for controlling the Remix Decks, with 16 multi-colored pads to fire loops and one-shot samples in Traktor. Shop for the Native Instruments TRAKTOR KONTROL F1 DJ Remix Controller for Stems and Remix Decks - 0 Interest Plans, Free Shipping, 45 Day returns - sales. Almost every important function in Traktor is mapped out to the F1 controller with colorful LED output that glows bright in the club and gives you visual feedback of what is happening in Traktor directly on the controller. You can also easily switch back and forth from the deck mapping, to controlling the Remix Decks for full control of almost everything in Traktor. Turn your Traktor Kontrol F1 into a powerful 4 Deck Controller for Traktor Pro 2 with a built in four channel mixer Not only does this MIDI mapping have. Native Instruments Traktor Kontrol F1 is an add-on hardware DJ controller designed for granting hardware access to Traktors powerful Remix Decks. If your TRAKTOR KONTROL F1 is not recognized in the TRAKTOR software, read this article. Turn your Traktor Kontrol F1 into a powerful 4 Deck Controller for Traktor Pro 2 with a built in four channel mixer!!! Not only does this MIDI mapping have powerful controls for playing, looping, hotcues, beatjump, and other live remixing tools, it also has a 4-channel mixer mapped out with Volume faders and filters. Native Instruments Traktor Kontrol F1 Remix Deck Controller at a Glance: The controls you need to take full advantage of Traktor Pros Remix Decks Total. What’s more? If you are worried that your site will have bad quality on mobile devices, let’s stop worrying since this joomla template comes with a totally responsive layout, adapting all kinds of screens, from mobile screens to PC ones. Looking for Free Joomla Templates Lets discover 250+ Joomla templates free for Premium Joomla 3, 3.4, 3.9, 3.x and support latest Joomla 4 templates. Therefore, it’s time for you to build up your site and showcase all your design works to draw customer’s attention. Besides that, you are able to make your site become more engaging and impressive by modifying the color style of your site via Color Picker Tool and multi-color styles. Whether you are into music, dance, photography, painting, and other forms of art or anything culture-related, then this template is for you The Joomla Art. Some fundamental functions you can get from it are Compress JS/CSS code, Google Fonts, Megamenu Generator, Canvas Mobile Menu, Retina/Mobile logos and much more. 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Added RDU More Options Trait which allows you to start with some event troops and money of your choice or decide to be an immortal or animal ruler.Theyve teased us in the run-up to the launch of Crusader Kings III. Several Add/Subtract Years Traits with an event to clear them after the start. Nov 10 Crusader Kings III Ruler Designer Detailed.This will generate a random custom character and take you to the Ruler Designer, where you can tweak them to your hearts content. Unlocks a few more traits for use in Ruler Designer. Select the historical figure you want to oust from the world map and choose the Create your own Ruler option.Removes the cost for traits during the use of the Ruler Designer.The mod does require the DLC, though! It doesn’t unlock the Ruler Designer for people who shouldn’t have it or give people DLC content that they shouldn’t have. In which case, who cares? Have fun with it. Unless you want to make something bonkers. This puts the onus on you to create a balanced character rather than Paradox’s overzealous restrictions. Update 2.0: Complete rework, rebranched from the main Age Customizer mod.ġ.Annoyed that you cannot create a worthwhile character in the Ruler Designer DLC that you dropped five bucks on? Are Paradox’s weird cost restrictions making you play like a wounded excommunicated plague victim in order to have halfway decent stats on level with a vanilla starting ruler? This mod drops the cost of traits and adds a few more ones to the menu to give you some options. Update 2.0a: Quick fix, removed unlocked traits to allow you using main features of the mod Update 2.0b: Better fix: Now every trait is available, but there''s still a duplication problem I'll try to solve soon. Version 2.1: Updated for A Game of Thrones v1.0 Update 1.1: Added icons and an event to remove the traits after the beginning of the game. Crusader Kings 2 and Protector of Christianity: Ruler Designer. Update 2.0: giving it the latest traits.gfx from the latest version of the game (2.0.4), finished the incomplete localisation file, lowered the age cost for everything in the Character Customizer and also increased the max age to 100. The one true ruler designer mod for Crusader Kings 2 is said to be the creator. Update 2.1: Updated for the latest version of the game (2.1.1). Update 2.1.3: Updated the traits to match the new "ruler_designer_cost" keyword. Update 2.2: Updated for the latest version of the game (2.1.6). Update 2.2.1: Corrected how the immortal trait works. Update 2.2.2: Updated for latest patch (v2.2). Update 2.2.3: Updated for latest patch (v2.2.1) Update 2.3: Updated for latest patch (v2.3), removed cost for every new trait from the way of life. (With some issues such as traits cost not removed) The mod should be compatible with any other mod now. Update 2.3.1: Minor corrections, as suggested by Korbah. Update 2.3.2: Updated for latest patch (2.4.2) Update 2.4: Updated for latest patch (2.4.5) and added support for the horse lords DLC. Update 2.5: Updated for latest patch (2.5.1) If you want to include this in your own mod, just send me a PM, mention me and put a link to here with your mod. If you have any suggestion, feel free to ask me here. The second aim of this mod is to give you access to every hidden trait in game. So, if, after you've added your traits, your character is 52 and you want him to be 21, all you have to do is this count: These values are different powers of two: With the version 1.2, you can now create a character up to 100 years old! This mini-mod just adds 20 traits to the Ruler Designer with only one effect: Modify your age. Once you change the FOV you will need to press Insert to overwrite the current keyframe The FOV can be set back to the default value with the letter O key. The field of view of the camera can be adjusted with the 7 and 9 keys on the numerical keypad. The 'keys.dat' file is created every time the game is run, and needs to be deleted only once. You must delete the 'keys.dat' file or the FOV keys will not work. Save the 'descr_shortcuts.txt' and delete the file named 'keys.dat' in the Rome directory. To enable field of view, open your '\data\text\descr_shortcuts.txt' and remove any semi-colons from lines containing the word FOV. It can be toggled back to a normal keyframe by pressing E again.įield of view is not enabled by default. The selected keyframe will turn black to indicate the change. You can set a keyframe to ease into and out of its position by pressing E. You will note that the red line joining the selected keyframe and the next has disappeared.īy default keyframes will come to a sudden halt when they stop, which isn't very cinematic. To do this, select the last keyframe in the shot, and press the End key. You can split your camera path up and cut from shot to shot. You might not want to have one long, continual camera track. Backspace will move the time indicator to the first keyframe and Q to the last keyframe. To view the path of the camera without the battle playing, press Space to toggle play/pause. To reposition a keyframe, overwrite it with Insert. Keyframes can be moved up and down the timeline by pressing. The selected keyframe will turn yellow, and the camera will move to the position of the selected keyframe. You can navigate between keyframes with the keys. To edit a keyframe you must select it first. The path of the camera is visible in the battlefield as a green curve, with the keyframes displayed as red ticks on the curve. Also, there is a red line linking the two keyframes which means that the camera will blend between the two keyframes. You will notice that the first keyframe has turned red, indicating it is no longer selected. Continue the battle with Enter and insert another keyframe with Insert. You will see a vertical yellow line appear on the timeline. To insert a keyframe in the current position of the camera, press the Insert key. The time indicator can be moved without advancing the battle with the + and - keys. The timeline is only visible while the battle is paused. As the battle progresses the time indicator will move across the timeline. Each minute is shown with a small blue vertical line, while the current position in time is shown with a larger blue line. Inserting Keyframes and Navigating the TimelineĪlong the bottom of the screen there is a blue line which represents the length of the battle, or timeline. You cannot rewind the battle - only restart the battle with the R key. You can navigate around the battlefield while the battle is paused or while it is playing. To play your battle press Enter and to pause the battle press Spacebar. Press Insert to create the second keyframe Move the camera to the position you want your shot to end Press Enter to continue playing the battle Press Insert to create the first keyframe Move the camera to the position you want your first shot to begin Move the camera to a position where you can get a good view of the battlefield Quickstart Guide – To make a simple camera move If these keys don't work, try pressing your Num Lock key You must use the numerical keypad keys for navigating the battlefield as the WSAD keys will conflict with Movie Editor keys. Select your battle replay and click the 'Load Battle Replay' button. Load your replay file by selecting the main menu option 'Load Game', then 'Load Battle Replay'. You must have a space between each command line option. Create a shortcut to your Rome_TW.exe, go to the shortcuts properties and add '-movie_cam' to the end of the target (without the quotes) To enable the Movie Editor you must run the game with the command line option '-movie_cam'. It is not possible to save replays of campaign battles or scripted historical battles – only only custom, quick, unscripted historical, multiplayer and multiplayer historical battles. You need at least one replay file to begin editing a movie. These battles are saved as *.rpy files in your '\replays' folder in the Rome directory. Firstly, play a battle! When you end your battle, you get the option to save your replay. “Got me spinning, baby, baby, I’m in a trance.” Why it’s the 48th Greatest hit of the 60s Inspiring artists to come, this track has been covered by the likes of Cher and Eartha Kitt. This sweet ballad displays deep vulnerability and passion, sewn together so carefully with delicate folk instrumentals. Released at just 19 years old, Donovan’s first album What’s Bin Did and What’s Bin Hid (1965) spared no feelings with the single Catch The Wind. “When the rain has hung the leaves with tears, I want you near to kill my fears.” Why it’s the 49th Top song of the 60s Regardless of interpretation, this track’s undeniable swell of emotion and artistry holds strong. At the peak of second-wave feminism, this bright country track broke into the pop charts and caused a stir amongst free-thinking modern women. Upon first impressions, the title track of Stand By Your Man (1969) was a controversial release for Tammy Wynette. “And if you love him, oh, be proud of him, ‘cause after all, he’s just a man.” Why it’s the 50th Greatest song of the 60s Without further adieu, here’s my list of the Top 50 Songs of the 1960s: 50. That’s what all we’re looking for from a music list like this, a collection of tracks that remind us of the power musicians have in uplifting us, feeling things with us, and making us want to dance. The one resounding quality each one of these top 1960s songs has is that they stand proudly on their own as songs that have affected the listeners. Compiling a collection of tracks that capture a well-rounded view of the 60s means looking at the good, the bad, and the ugly aspects of history. The song’s ability to move people since its release.Īs you can imagine, ranking the greatest songs of the 1960s was a hefty task.The song’s power in capturing the culture of the 1960s.In this Top 50 Songs of the 1960s article, I cover the decade’s greatest songs, taking into consideration a few key ranking factors: The cultural clash of old and new philosophies created a music scene in an explosive decade that informed so many genres that we celebrate today. From this questioning, came the magic of psychedelic rock, sweet soul, progressive folk, and more. Launching into a new world, the 60s not only saw the first man on the moon but a series of waves that implored musicians to question the ways of the world. When the first iconic notes of ‘Psycho Killer’ came pounding out of the speakers, everybody roots for David Byrne and Talking Heads.Counting Down the Greatest Hits of the 60s Everybody sort of roots for the bad guys in movies.” “Both the Joker and Hannibal Lecter were much more fascinating than the good guys. It’s an area of life which has always been attractive to Byrne, “When I started writing this (I got help later), I imagined Alice Cooper doing a Randy Newman-type ballad,” he said. So they quickly began to heap more and more bass into the song as Byrne’s story of a serial killer unfurls. Released as part of the band’s debut album Talking Heads: 77 the group managed to convince producer Tony Bongiovi that their original cut needed some more power to it. Whichever way you cut it, it’s unthinkable to put any song ahead of ‘Psycho Killer’ as Byrne’s best. While our favourite performances of this song include their famous 1975 appearance at CBGB’s opening for the Ramones to Byrne dressed in an inside-out bodysuit performing the song in the mid-90s. On Broadway or busking in the street, Byrne has always been happiest when in the seemingly perpetual swing of his expressive songwriting. He developed a kinship with Brian Eno and existed as a breath of fresh whenever he appeared with a brand new collection of sonic poems. Never too far from a helpful collaboration, Byrne has accumulated quite the list of incredible songs.Īfter the band went their separate ways in 1991, Byrne continued to push himself creatively. Though the group came to an end in 1991, Byrne would continue to pursue his artistic direction. With it, so did Byrne’s influence and talent. Through a string of affected and unquantifiable singles, the group’s prowess grew helped in no small part by the inclusion of Jerry Harrison. It was a marked change in how alternative music was being presented and, with the band’s arthouse slant and unstoppable groove, they were a powerhouse force of alt-pop brilliance. Byrne, the Scottish-born singer with a unique view of a rapidly expanding world, found his happy place on the peripheries of society and soon invited the whole world into his vision. The trio arrived as the Artistics and soon found themselves in a comfortable position on the outside. We also collected the following data from the council of Europe’s annual penal statistics (Space project - ) which reflect penal policy at the national level: average national levels for penitential density for 100 places (this provides a measure of prison overpopulation), percentage of prisoners who were sentenced primarily for drug offences, prisoner security staff member ratio, and the ratio between prisoners and other professionals working in prison. Data on prison characteristics included: 1) type of structure (remand centre, prison, security prison and juvenile prison – some prisons included several types of structures) 2) gender of the prison population (male and/or female inmates) 3) number of prisoners on the day of the study 4) total numbers of sanitary staff, doctors, nurses, security staff, and social workers working in the prison 5) number of full-time doctors and nurses working in the prison 6) existence of consultation service for HIV, HCV/HBV and psychiatric consultation, and frequency of consultation (every week, every 2 weeks, etc.) 7) presence of any non-governmental organization (NGO) involved in harm reduction (HR) and care for drug users in the prison. The dimensions explored were related to the 10 following interventions recommended by WHO/UNODC : Bleach, Condoms and lubricants, Opioid Substitution Treatment (OST), Information-Education-Communication (IEC), Blood-borne virus (BBV) testing, HBV vaccination, Post-exposition Prophylaxis (PEP), Needle/syringe exchange programs (NEP), access to ARV and prevention measures for tattooing/piercing. More specifically, the questionnaire collected data about the structural characteristics of the prisons and assessed the availability of different specific prevention measures. In order to estimate "environmental" infectious risk, an electronic/postal survey questionnaire focusing primarily on the availability of HIV-HCV preventive measures and HBV vaccination for prisoners was sent to the heads of medical units in all the prisons in all 5 countries (in 2009–2010 for France, in 2013–2014 for the other 4 countries). A previous survey in France was conducted between November 2009 and May 2010 and targeted all French prisons (170 prisons). The study’s secondary objective was to identify which particular characteristics of prison settings and penitentiary policies are correlated with non-adherence to WHO/UNODC recommendations.Ī nationwide survey targeting all prisons in each of the following 4 European countries was conducted between June 2013 and April 2014: Belgium (35 prisons), Austria (28 prisons), Denmark (50 prisons) and Italy (205 prisons). We also aimed to create a 5-country comparison, in order to include France, by creating a second adherence score. This measurement was achieved by computing an adherence score which was modified to take into account the latest international recommendations. The main objective of this international survey was to compare the levels of environmental infectious risk in prisoners between 4 different countries, by measuring to what extent prisons in these countries adhere to international recommendations for HIV prevention. Data on health policy implementation in general in the prison setting are sparse, and conducting research to explore related issues is difficult. For example, although France adopted the principle in 1994, the ANRS-PRI 2DE survey (2009–2010), which measured the level of adherence to national and WHO/UNODC guidelines, revealed a gap between the official recommendations and their application in French prisons. Despite being adopted in several countries, the principle of equivalence in health, including prevention, between the prison system and the general community is rarely implemented in reality. National strategies to control transmission risks should include prisons. The risk of prisoners transmitting disease is high as they are in constant contact with the general community through visitors, staff and because a considerable proportion of them can cycle in and out of prison. The burden of illnesses, particularly infectious diseases, is heavier in the prison population than in the general population, with high prevalences of HIV, HCV and tuberculosis, as well as higher rates of mental disorders, including drug/alcohol use disorders. |
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